Welcome to the
"Madrid Fiesta Film Award"

film

Madrid Fiesta Film Award held annually at 12-14 May at Cineteca. Join us and test you fearless

intro
Madrid Fiesta Film Award
Madrid Fiesta Film Award
Madrid Fiesta Film Award
Madrid Fiesta Film Award
Madrid Fiesta Film Award
about
Welcome to the "Madrid Fiesta Film Award," a chilling extravaganza that will send shivers down your spine and captivate your imagination! Step into a world of darkness as we showcase an array of bone-chilling horror movies that will haunt your dreams.
Just as San Fermina unleashes the stampede of excitement and adrenaline through the streets of Pamplona, the "Madrid Fiesta Film Award" will unleash a thrilling frenzy of fear and suspense, gripping your senses and leaving you on the edge of your seat. Get ready to be swept away by a torrent of terrifying tales and experience the rush of a cinematic horror marathon like no other.
At this bloodcurdling festival, you'll witness the artistry of horror masters as they weave tales of terror, summoning phantoms from the depths of your deepest fears. From supernatural entities lurking in the shadows to psychological tormentors that play with your mind, our films will explore the darkest corners of the human psyche, taking you on a twisted journey you won't soon forget.
Awards: Short, Feature, Supernatural, POV.
Awards: Short, Feature, Supernatural, POV.
Awards: Short, Feature, Supernatural, POV.
Awards: Short, Feature, Supernatural, POV.
Awards: Short, Feature, Supernatural, POV.

Award Winners

VIVIDREAM

Directors

Matteo Di Loreto, Tom McKenzie

Submission Categories

Best Experimental

Synopsis

Between dream and reality a girl finds herself in the audience of a theatre (Royal Danish Theatre) to find out there are other people there with her. While events between the dancers unfold, a voice guides them on a journey of surreality where the relation between the audience and the stage is connected by a subtle veil.

Loitering with Intent/ Karady

Directors

Eve Jablonkay

Submission Categories

Best Biographical Film

Synopsis

Katalin Karady was a film star, a sex symbol and a bisexual in the era of the early European cinema.

The Unlock

Directors

Simon Tate

Submission Categories

Best Feature

Synopsis

The Unlock is a genuine first of a kind. The actor playing the lead role, Stephen, has not seen a script and knows nothing about the story. Not even the genre of the film. He was isolated entirely from cast and crew until filming ended. Being completely in the dark even reaction is real. We call it Hyper Real filmmaking and it has never been done before. Waking up chained to the ceiling in a warehouse somewhere in Lithuania Stephen, an ex-soldier, is faced by his interrogators. They tell him that he was involved in the kidnap of the Russian Foreign Minister by a far right group in a NATO country who will execute the Minister live on the internet in 90 minutes. An act of war between a NATO country and Russia which could trigger World War 3. They believe Stephen knows the whereabouts of the kidnapped Minister, but Stephen has amnesia and time is running out. His interrogators however have been given permission to use any means necessary to unlock his memories - and that means taking them all to some very dark places.

IL SOGNO DIVENTA FUTURO

Directors

Andrea Cacciavillani, Tonino Di Ciocco

Submission Categories

Best Cinematographer

Synopsis

In 1903 a courageous and farsighted priest managed to fight usury with solidarity and mutuality. A dream that still survives today. Nel 1903 un prete coraggioso e lungimirante riuscì a combattere l"usura con la solidarietà e la mutualità. Un sogno che ancora oggi sopravvive.

Dishonour

Directors

Terrence Turner

Submission Categories

Best Human Rights

Synopsis

A five year old girl is caught in middle of a struggle between her recently widowed father and his elderly aunt who disagree on how best to adapt to the customs and laws of their newly adopted home in the United Kingdom. The aunt’s failure to abandon ancient African tribal traditions, including the harmful practice of FGM or female genital mutilation, leads to potentially devastating consequences for the young girl. All six characters in the film are played by one remarkable female actor, Mimi Ndiweni.

From Zero to a Hundred

Directors

Matteo Banfo

Submission Categories

Feature Documentary

Synopsis

“FROM ZERO TO A HUNDRED” is an inspirational feature-length film that explores the life-changing journey of high school students engaged in the Winners Circle Project. Throughout the course of a year, these students embark on an extraordinary endeavor: building a real race car from scratch. As the documentary unfolds, their unwavering spirit shines amidst adversity, including the unprecedented challenges posed by the COVID-19 pandemic. From overcoming obstacles to achieving success, the film celebrates their journey of personal growth and highlights the transformative power of education, opportunity, and resilience.

The Muralz

Directors

Jeremy Lee

Submission Categories

Best Animation

Synopsis

Amidst the Covid-19 pandemic, Penang Street in Malaysia lay quiet and empty. As murals come to life, Azam, a diligent food delivery rider, is accompanied by his very own creations, the Three Murals. These animated characters follow him on his rounds, aiding him in delivering food to locals while helping those in need, making a positive impact on the community.

THE BLIND

Directors

ILIYAS DAUDI

Submission Categories

Best Actress

Synopsis

A student of the directing faculty of VGIK falls into disgrace with the master of the course Gleb Glebovich and goes to military service in the army in Syria. In one of the battles, George is seriously wounded, as a result, he goes completely blind. Beloved girl Lisa, with whom George studied together, understands that she is not ready to shoulder the burden of dedication to a disabled person. George falls into depression, life is going to hell.... The desire for a full life, the desire to stay in the profession, the participation and mentoring of the former master of the course Gleb Glebovich mobilizes George to work and high creative achievements. Georgy moves from the director's studio to the playwrights' workshop, writes the script for the film — "the story of the rescue of a Syrian family by the Russian military", awarded the prize of the Venice Film Festival.

Missing Gap

Directors

杨思倩

Submission Categories

Best Student Film

MISFIT

Directors

ABHINAV SINGH

Submission Categories

Best First Time Filmmaker

Synopsis

Life takes yet another distressing turn for the reclusive and introverted architect TANISH (29yrs) when he has a scuffle with his lady colleague, STUTI (33yrs).Already begrudged with Tanish due to professional rivalry at their workplace VG & Associates, Stuti falsely accuses Tanish of molesting her. To protect the firm’s interests, management at VGA insists on a written apology from Tanish, which could put the matter to rest. However, Tanish, not a worldly-wise person, refuses to apologize. Resultantly, the complaint is escalated, and an investigative PoSH (Prevention of Sexual Harassment) committee is formed. Caught in the cross-fire is DIYA (24yrs), the newest member in Tanish’s team. Post the molestation incident, she reluctantly chooses to remain in the team as quitting would mean giving up a prestigious project. As they work together, Diya discovers that Tanish is a brilliant, yet broken individual with genuine intentions. She develops a soft corner for him. Tanish also learns that Diya is truthful and has strong work ethics – the qualities he admires and rarely finds in people. An unspoken but restrained friendship develops between the two. However, it would only be short lived. To his utter shock and disbelief, during the PoSH hearings, Tanish learns that there is not one but two complainants; Stuti and Diya. Diya, in turn, also finds about this for the first time in the hearings. She figures that her statements were twisted by Stuti and were misrepresented. She rushes to clarify this to an already upset Tanish, but to no avail. Devastated, Tanish resigns and becomes incommunicado. Worried, his sister TANYA (23yrs), visits Tanish and admonishes him that triggers an emotional outburst. Tanish spends the following days in introspection as something within him begins to change. He finally decides to meet Diya, with an intention to make amends.

Trickster

Submission Categories

Best Scriptwriter, Best Unproduced Script

Synopsis

Based upon a true story a wise old horse narrates his extraordinary life. After a near death accident he finds the meaning of life through the eyes of a special needs little girl.

Afterwards

Directors

Stephen Wallis

Submission Categories

Best Director

Synopsis

AFTERWARDS is a dark yet spiritual drama that follows the tormented journey of a man who's been abandoned in the frozen north for thirty years after his death.

The Performance

Directors

Stephen Wallis

Submission Categories

Best Actor

Synopsis

The Performance is a wonderfully dramatic and heartbreaking film that follows a well known actor as he prepares for a one night only performance in a theater run down by time. It was the home of his first performance over 60 years before and as the night progresses he reflects on a lifetime of regrets whilst trying to ensure that it's a performance that will be forever remembered.

Campton Manor

Directors

Kat Hostick

Submission Categories

Supernatural

Synopsis

An author tries to investigate a decades old mystery and finds himself stuck in his own ghost story.

Shared psychosis

Directors

Paolo Furino, Felice Antignani

Submission Categories

Best Nightmare Horror Film

Synopsis

Marina and Piero, both lovers of transgressive dates, find Ric and Luna on their way, who hide other intentions.

The Defender

Directors

Gary Jack Hewitt

Submission Categories

Best Composer

Synopsis

A vigilante comes face to face with her demons while tracking down criminals tied to her past.

Life To The Limit

Directors

Pavlo Peleshok

Submission Categories

Best Producer

Synopsis

Two successful film producers with an office in the center of Kyiv after the russian occupation of Crimea in 2014 decide to leave everything and volunteer for the war in eastern Ukraine, to defend the homeland from the russian occupiers. After two years of war (2016), the film they started producing on the Maidan, "Winter on Fire" became a nominee for the American Academy Award, the "Oscar". Commander releases boys on short-term leave so they can travel to California A week after the awards ceremony and elite cocktail parties in Los Angeles, they are returning to the trenches of the russian-Ukrainian war. Five years later, veterans, at the cost of losing close friends, "survivor's guilt syndrome", post-traumatic stress disorder, medals for bravery, return to their profession to show from fragments of memories and their own video archive why the russian-Ukrainian war was possible in the 21st century

Shut up!

Directors

Matteo Berdini

Submission Categories

Best Short

Synopsis

Piero, a local comedian, dreams so much of going on television that when he does... he can't get out of it.
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Rules

1. Submission Format Films must be submitted via online screener.
2. Submission Eligibility - All submissions must have been completed after 1 January 2020. - MFA requires that all films (excluding music videos) have not played to a public audience in Madrid before the festival dates. - Works-in-progress and films with distribution are accepted. - All films not in the English language are required to have subtitles.
3. Premiere Status -No premiere status required. - There is no Premiere policy for music videos, they may have screened at other Festivals and/or online.
4. Venue Festival reserves the right to change the venue
5. Submission Fee All FilmFreeway submissions for MdA are to be paid by credit card or PayPal. The submission fee is non-refundable.
6. Shipping All shipping and postage costs, if the film is selected for the Festival, for all DCPs and additional materials sent to and returned from MFA must be borne by the submitting party. MFA will not accept Cash On Delivery shipments. MFA will not absorb any fees incurred in British customs. All charges must be pre-paid
7. Selection of Films Submissions are reviewed and selected under the following criteria: - Quality of narrative and production values - Independent nature of the production
8. Notification MFA endeavours to complete all selection procedures by 20th of Paril 2024 and inform all submitting parties, in writing, if their film has been successful or not after that time.
9. Festival Screenings Selected films MUST provide a Digital Cinema Package (DCP) or video file (.mov or .mp4). in order to be screened at the Madrid Film Festival. The film title MUST be clearly labelled on the hard drive.
10. Scheduling Screenings are scheduled during the Festival at the discretion of MFA. Whilst every effort will be made to adhere to the published schedule, MFA reserves the right to make changes at any time for any reason. MFA will not be liable for any costs claimed as a result of a change in scheduling. No film may be withdrawn from the festival programme after its selection.
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